that was awesome!

With 2-6 inches of snow predicted for the 2nd day of same.

Like America.

Crede is something more of a missed opportunity, but he's also been cheap and there are a number of mitigating circumstances.  Ideally, he should have been traded after the World Series, but Josh Fields had just posted a .252/.341/.409 in AA.  So we see the cost of a bad system.  Every time you fail to have a replacement possibility, you lose the chance to make good on the max value of your current major leaguers.  That's perhaps how Kenny realized Shafer's draft philosophy was flawed: high ceiling, low upside college pitchers are abundant and interchangeable, upside is constantly in demand, and the best value seems to be in elite college hitters (high ceiling, medium upside).  

Every other team sees it as another source of revenue.  Greedy effers.

BTW, this is for Pete:

Remember my Mamet link last week?  Looks like the WSJ has picked it up, too:

"David Mamet's Revision
March 20, 2008; Page A18
The American playwright David Mamet wrote a piece for the Village Voice last week titled, "Why I Am No Longer a 'Brain-Dead Liberal.'" Mr. Mamet, whose characters famously use the f-word as a rhythmic device (I think of it now as the "Mamet-word"), didn't himself mince words on his transition. He was riding with his wife one day, listening to National Public Radio: "I felt my facial muscles tightening, and the words beginning to form in my mind: 'Shut the [Mamet-word] up.'" Been known to happen.

Toward the end of the essay, he names names: "I began reading not only the economics of Thomas Sowell (our greatest contemporary philosopher) but Milton Friedman, Paul Johnson, and Shelby Steele, and a host of conservative writers, and found that I agreed with them: a free-market understanding of the world meshes more perfectly with my experience than that idealistic vision I called liberalism."

This of course is an outrage against polite American wisdom. Isn't Paul Krugman supposed to be our greatest living philosopher? One would have thought that David Mamet saying bye-bye to liberalism would have launched sputterings everywhere. But not a word.

As I think Groucho Marx once said, either no one reads the Village Voice anymore or my watch has stopped.

That one of the language's greatest living playwrights would say this in our hyperventilated political times was news worth noting in most of the English-speaking world. Commentaries appeared the past week in England, Canada and Australia. But there's been nary a peep about Mr. Mamet going over the wall in what some call the Mainstream Media.

Matt Drudge put news of the Mamet essay at the top of his Web site the day it appeared, so it was hard not to notice. Yesterday the Los Angeles Times printed an op-ed piece on it by the crime novelist Andrew Klavan, welcoming Mr. Mamet. For the most part, though, this is being treated in liberal drawing rooms like a favorite uncle gone suddenly dotty. A reporter for the Times of London put the apostasy to actor Kevin Spacey, now appearing there in Mr. Mamet's "Speed the Plough." "I didn't pay it much attention," said Mr. Spacey.

Which raises the question: If a liberal falls in the liberal forest and no one says they heard it, can you say it didn't happen? Mr. Mamet must feel like the guy in a mob movie who knows the hit is coming but has to sweat through to the bullet.

There is a more benign explanation for the silence of American punditry's liberal lambs. They have their hands full with Barack and Hillary. No playwright since blood-soaked Greece would have tried to script the furies let loose by the struggle between these two senators.

The Rev. Jeremiah Wright, whose mad lines no one would think to write -- "God damn America!" -- has returned to haunt the holy candidacy of Barack Obama. In turn, Sen. Obama has been forced to give a speech reanimating racial ghosts back to the nation's founding -- a Constitution "stained by this nation's original sin of slavery." This is primal stuff. Meanwhile the Democratic elders, in their role as Super Delegates, must wrestle with knowing that this foul poison was set by factions loyal to Hillary Clinton, whose own personal loyalties are . . . well, you don't need me to get into all that.

With blood on the party's temple floor, who has time to give a flying [Mamet-word] about what this guy thinks? (Also, his essay appeared the day after the Spitzer melodrama began its short, but unforgettable, New York run.)

Still a thought: If David Mamet says he can't take it anymore, can others be far behind? Were I a Democratic Party strategist, out on the frontier of voter sentiment, my thought would be: This is not good for Democrats. David Mamet's mind is a tuning fork of regular-guy sentiment. He's the one who wrote "Glengarry Glen Ross." He says he's been a reliable liberal all his life. All of a sudden, the party sounds off-key. What if other guys are starting to think this? What if, after Barack's charisma gets stripped away, all you're left with is "universal health care" and Hillary's blind ambition? Come November, you could be [Mamet-worded].

Hollywood does a good job of policing the public political activities and statements of its workforce. Step out of its left line, the man comes and take you away. It helps the policers that Hollywood's writers have little script autonomy. They do as told and get used to it. Playwrights, by contrast, have total control over what their scripts say. This, one suspects, affects the two trades' habits of thinking.

In a remarkable coincidence with the Mamet essay, the playwright Tom Stoppard just published a piece in the Sunday Times of London ripping the 1968 student demonstrations there, in Paris, and elsewhere. Admitting he was thought by the left even then to be "politically dubious," Mr. Stoppard says he "was embarrassed by the slogans and postures of rebellion in a society which, in London as in Paris . . . seemed to me to be the least worst system into which one might have been born -- the open liberal democracy whose very essence was the toleration of dissent."

Mr. Mamet in his (often hilarious) goodbye-to-liberalism essay credits the famed American newspaper editor William Allen White with the idea that government should basically stay out of the way of people trying to work out ways to get along and get ahead. Tom Stoppard ends with the same, central point: "The idea of the autonomy of the individual is echoed, I realize, all over the place in my writing."

Many Democrats know that individual autonomy is the moving spirit of our times. The Web is its relentless, daily metaphor. This notion is embedded in the thought of the writers David Mamet has been reading of late. Left-liberalism breeds many autonomous spirits -- but only in their private lives. The party's ethos is as it was in 1930 -- dark forces arrayed to thwart the delivery of benevolence to fragile masses. For the latest standard version, see the end of Mr. Obama's Tuesday speech on "the real culprits of the middle-class squeeze."

Unless the Democrats figure out a way to back down big brother, the years ahead likely will bring more Mamet drop-outs. Belief in autonomy may even reach Hollywood."

John Galt lives!